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carries with it a persistent whiff of strangeness, deviance and failure” — moved to New York City for a man and then he left her, sending her spiraling into the kind of year that can, if you are Ms. Instead, she takes long, introspective walks through the city where she is loveless and occasionally so unmoored that she can barely bring herself to order coffee, too vulnerable to cope with her barista’s continuing inability to decode her English accent.
When pressed about her ambivalence toward revealing her private life in writing, Ms.
At 30, the writer Emily Witt found herself single and heartbroken, but also suddenly intent on examining the mythology around how life for women is supposed to be.
And it felt like the protagonist in some ways, the main person experiencing all of this, was women.”Thus began her quest to understand the consequences of these changes.
In considering questions like why she was not married or almost married (and why many of her friends who wanted to be married were also not married), Ms.
Witt, who has written for the London Review of Books and The New Yorker, and is a contributing editor to T: The New York Times Style Magazine, recalled thinking that “technology had changed.
Laing said that: “there is a culture of confessional memoirs that I’m super-wary of.
As soon as you use an ‘I’ — especially if you’re a woman — you’re on shaky ground.
Witt began writing, she was nervous and reticent, and wrote in the third person.